Qualeasha Wood
2024
The Today Show
Alicia Keys, Swizz Beatz on inspiring others with ‘Giants’ art exhibit
2023
Galerie
Fast-Rising Artist Qualeasha Wood Blends Textural Fuzziness with Digital Frenzy
The New York Times
What to See in N.Y.C. Galleries in December
Missy Magazine
Qualeasha Wood combines traditional crafts, queer craft and digital elements in contrasting tapestries
Cultured Magazine
For Artist Qualeasha Wood, A Met Acquisition Was a Blessing and a Curse
The Guardian
‘I don’t worry about holding back’ – how Qualeasha Wood turned being doxed into wild tapestries
artnet
Buzzy Artist Qualeasha Wood’s Multilayered Tapestries Explore What It Means to Be Black, Queer, and ‘Chronically Online’
L’OFFICIEL
Artist Qualeasha Wood on Representation and its Impact on Identity
DSCENE
God Is a Young Hot Ebony: Exclusive Interview With Artist Qualeasha Wood
2022
Mousse Magazine
The Artsy Vanguard 2022
Essence Magazine
Leader’s of the New Art World
Harper’s Bazaar
Icons Issue, 2022
Curbed
Qualeasha Wood Wants to Get Crab Legs with Cardi B
Observer
Observer’s Slambook: Artist Qualeasha Wood on Ethically Colonizing Mars
Frieze
A Black History of Art: Alayo Akinkugbe's Highlights from Frieze London and Frieze Masters 2022
W Mag
Qualeasha Wood Weaves Cyberculture Into Tapestries
Artnet
Textile Artists Are Back in the Public Spotlight in Museums and Galleries. Art Collectors? They’re Still Catching Up
The Subversive Power of Quilts Legacy Russell on ‘The New Bend’
2021
4Columns
“Black Femme” by Aruna D’Souza
The New Yorker
’Black Femme: Sovereign of WAP and the Virtual Realm’” by Andrea K. Scott
Observer
‘Black Femme: Sovereign of WAP and the Virtual Realm’ Shines at Canada Gallery” by Yume Murphy
The Provincetown Independent
“At Just 24, Qualeasha Wood Brings Textiles Into 2021” by Susannah Elisabeth Fulcher
Observer
‘Digital Legacies 2.0’ Honors the Cultural Impact of Black Women and Nonbinary People” by Helen Holmes
2020
Gallery Talk
“DOUBLE TAP #17, Qualeasha Wood“ by Anna Meinecke
Broadway World “NADA Miami 2020 Concludes In-Person and Online Fair with Diverse International Presentations, Dynamic Programming and High Viewership” by BWW News Desk
2019
Artdose Magazine “Gluon Gallery, Levee Contemporary, OS Projects – Vol 29” by Rachel Hausmann Schall
Art Viewer
“A Complete Change of Form Into a More Beautiful Or Spiritual State at COOPER COLE”
2018
The Brown Daily Herald: “RISD Show Challenges Gallery Structures” by Divya Maniar
2017
Bluestockings Mag: “Creating While Black: An Interview with Qualeasha Wood” by Osun Taylor
< Back
The Today Show
Alicia Keys, Swizz Beatz on inspiring others with ‘Giants’ art exhibit
2023
Galerie
Fast-Rising Artist Qualeasha Wood Blends Textural Fuzziness with Digital Frenzy
The New York Times
What to See in N.Y.C. Galleries in December
Missy Magazine
Qualeasha Wood combines traditional crafts, queer craft and digital elements in contrasting tapestries
Cultured Magazine
For Artist Qualeasha Wood, A Met Acquisition Was a Blessing and a Curse
The Guardian
‘I don’t worry about holding back’ – how Qualeasha Wood turned being doxed into wild tapestries
artnet
Buzzy Artist Qualeasha Wood’s Multilayered Tapestries Explore What It Means to Be Black, Queer, and ‘Chronically Online’
L’OFFICIEL
Artist Qualeasha Wood on Representation and its Impact on Identity
DSCENE
God Is a Young Hot Ebony: Exclusive Interview With Artist Qualeasha Wood
2022
Mousse Magazine
Black Millennial Femmehood: Qualeasha Wood
by Alexandra Thomas
ArtsyThe Artsy Vanguard 2022
Essence Magazine
Leader’s of the New Art World
Harper’s Bazaar
Icons Issue, 2022
Curbed
Qualeasha Wood Wants to Get Crab Legs with Cardi B
Observer
Observer’s Slambook: Artist Qualeasha Wood on Ethically Colonizing Mars
Frieze
A Black History of Art: Alayo Akinkugbe's Highlights from Frieze London and Frieze Masters 2022
W Mag
Qualeasha Wood Weaves Cyberculture Into Tapestries
Artnet
Textile Artists Are Back in the Public Spotlight in Museums and Galleries. Art Collectors? They’re Still Catching Up
The Subversive Power of Quilts Legacy Russell on ‘The New Bend’
2021
4Columns
“Black Femme” by Aruna D’Souza
The New Yorker
’Black Femme: Sovereign of WAP and the Virtual Realm’” by Andrea K. Scott
Observer
‘Black Femme: Sovereign of WAP and the Virtual Realm’ Shines at Canada Gallery” by Yume Murphy
The Provincetown Independent
“At Just 24, Qualeasha Wood Brings Textiles Into 2021” by Susannah Elisabeth Fulcher
Observer
‘Digital Legacies 2.0’ Honors the Cultural Impact of Black Women and Nonbinary People” by Helen Holmes
2020
Gallery Talk
“DOUBLE TAP #17, Qualeasha Wood“ by Anna Meinecke
Broadway World “NADA Miami 2020 Concludes In-Person and Online Fair with Diverse International Presentations, Dynamic Programming and High Viewership” by BWW News Desk
2019
Artdose Magazine “Gluon Gallery, Levee Contemporary, OS Projects – Vol 29” by Rachel Hausmann Schall
Art Viewer
“A Complete Change of Form Into a More Beautiful Or Spiritual State at COOPER COLE”
2018
The Brown Daily Herald: “RISD Show Challenges Gallery Structures” by Divya Maniar
2017
Bluestockings Mag: “Creating While Black: An Interview with Qualeasha Wood” by Osun Taylor
< Back